понедельник, 12 ноября 2018 г.

We are trying streaming

Hi everyone! Just before we load up two last releases for 2018, it feels like it's a proper time to catch a departing train of streaming. Recently I've tried to stream oldschool game GTA2 and talking about avant-garde as a method. Well, perhaps it might be not that vivid and active monologue, though it's mostly a test stream to find out if you're interested. If you are, I'll go on streaming and talking at our Twitch channel ShadowplayCity.




Hope you'll pay some attention to it!

Best wishes,
John "Grey Lenses" Grey

понедельник, 8 октября 2018 г.

Nervöse Leute — Mellow (2018)



Hi everyone! We're happy to present you our latest physical release (proudly wearing "CVRP 03" code), a 3.5" floppy disk "Mellow" by Nervöse Leute.


This 3.5" floppy disk includes a brand new track "Mellow" (in mp3) and a flyer (written in English) with an instant free download link to a longplay "Concrete Rats" (in lossless), currently unavailable online.

We've turned to mid-2000's authentic 3.5" floppy disks as it's profoundly connected with nostalgia, a topic which penetrates the whole Nervöse Leute discography. We used aluminium for the cover to illustrate another topic which is peculiar to Nervöse Leute — the topic of paranoia spilled in modern life.


Track "Mellow" explores the opportunities of relaxation through noise and is genetically connected with first, self-titled album by Nervöse Leute. The album "Concrete Rats", a download link to which is included into package, provides new exploration of a frontier zone between music and noise and also includes some references to earlier Nervöse Leute works.

"Concrete Rats" LP will be available online as soon as certain amount of copies of "Mellow" will be successfully distributed. You can order "Mellow" by writing us, current price is just $1.2 + postal costs, and it might even be reduced when "Concrete Rats" will be available online.

There are only 16 copies of "Mellow" which makes it undisputedly exclusive.

Feel free to contact us if you'd like to purchase previous Nervöse Leute physical release, a split tape with Snowbringer ($3 + postal costs) (only few copies left!) or CD "Тренды" by Лосины Маршала Потемкина ($3.75 + postal costs) (only few copies left as well).

Hope you'll like it! And — stay tuned!

Sincerely yours,
John "Grey Lenses" Grey

воскресенье, 9 сентября 2018 г.

VA — Pereat (2018): Video

Hi everyone! Finally recorded a video where I'm presenting you our annual sampler "Pereat". You can check it out right here:


Stay tuned, as the end of this year will provide you with our new releases. I'm sure about that.

Sincerely yours,
John "Grey Lenses" Grey

четверг, 16 августа 2018 г.

Лосины Маршала Потемкина — Похороны безработного провинциала (2018, Single)



Hi everyone, we're happy to finally present you a studio single by Лосины Маршала Потемкина recorded this spring. It contains song "Хуже не будет" as a "b-side", previously included in our VA-sampler "Pereat".

The "a-side" is a studio remake of 2015 song "Похороны безработного провинциала" ("The Funeral of an Unemployed Province Dweller"). That song was much more appreciated than other Лосины...'s songs of that period, and its relatively successful live performances have also pushed us to rerecord it properly.

So, these songs were recorded with live drums played by our drummer Igor Ezhen; Mikhail Alekseev played bass, and Zhenya Dvoynishnikov played guitar. I performed as vocalist and lyricist.

"Хуже не будет" was mixed and mastered in studio, "Похороны" was edited by me. It may sound less polished than it could be, but I feel I managed to create the mood this song was supposed to create. While being a lone bedroom-folk singer, I spent plenty of time trying to make specific atmosphere on first Лосины...'s albums, and finally on "Похороны" I came close to what I wish it could sound like. I mean this song is like a devil chasing the listener, it's ruthless, it's like doom, like fate, like something totally inevitable. Despite that, it's not supposed to frighten a listener, not sort of "scare the kids" tag.

Lyrics' protagonist, Unemployed Province Dweller, has been important to me. He's the narrator of most songs recorded in 2012–2015. Our second album was titled "The Dreams of an Unemployed Province Dweller", so his "funeral" was a significant step, crucial, necessary if I wanted to move forward.

When I ask myself: "Who's telling all these weird stories which fill Лосины...'s lyrics?", I can say there are at least four of them, and I even created names for them. First songs were narrated by Vyacheslav Babochkin, who was sort of representative of famous Russian gopnik subculture. Then, an Unemployed Province Dweller had appeared. At some point Semyon Potemkin was added to tell smarter stories (like "Нудный", "Дэвид Линч") and represent positive, "Apollo"-like side, and finally I found out there's also a "wicked" character, kind of villain, named Phil, who narrates, e.g., "Утренний рейс". He has the lowest of my voices and represents a darker side of personality.

The cover was taken on 19th century cemetery in my native city in Siberia. Currently this cemetery is totally embraced by urban buildings, it's almost centre of the city, such a sarcastic coincidence.





I got to add this single is released a bit late. I thought it'd be ready in June, but again we had a delay. Currently we're visiting the studio more frequently, working on a longplay which is likely to be released this autumn.

Moreover, we're still preparing a lot of new stuff by Nervöse Leute this year, and maybe some of tracks by artists from "Pereat" sampler.

So, stay tuned, much fun is on the go.

Sincerely yours,
John "Grey Lenses" Grey

среда, 4 июля 2018 г.

VA — Pereat (2018)

TL;DR? Then check out video version of this post!



Hi everyone, we're happy to present you our annual sampler! This time it's called "Pereat", it's a Latin word which can serve as sort of pessimistic motto, considering current situation.
The sampler starts with an anonymous short intro, it's an electronic instrumental by our long-time collaborator who decided not to sign this time:
Then goes a song by Concern Void band, it's titled Conscience, and we're really proud of it as it's a result of hard work on creating authentic minimal synth sound. I provided lyrics and vocals for the song, the music was written by Vladimir Laznev.
Then we have a new "Handshaker" by Snowbringer, and now it's "Modern Handshaker". It's a noise record, the sound is quite abrasive though it's not disturbing. It's also the longest track on the sampler. Snowbringer shows truly mature sound here.
Track #4 is a hip-hop by Alogical, he didn't write the beat, but the lyrics are original. It was first published as a part of Alogical Vlog, psychedelic and astonishingly modern. It's titled "Let's Get It", so it's based on a meme, and it's totally the least oldschool track on the sampler, which brings us diversity and all other valuable things nowadays.
The next track is an oldschool minimal instrumental "Time" by Vladimir Laznev, and it's supposed to be part of forthcoming soundtrack. It sounds really promising, and I'm looking forward to seeing the whole soundtrack released.
Then we have a new Nervöse Leute track, "Erziehung". It's a noise record and it's sort of a preview of their 3rd longplay hopefully to be released this summer/autumn. It's going to have less radio / tape noises, focusing on different noise sources instead; this track is an example of shifting quite primitive music to the spheres of sort of sophisticated noise.
Next track is a cinematic instrumental "Creeper" by Hipstor Smith. This track was written exclusively for our radio broadcast, Shadowplay FM, and it was aired earlier this year during a radio play "Post-irony".
The final song on the sampler is "Хуже не будет" by Лосины Маршала Потемкина. The title means "It won't get worse", and it's much a sardonic mood spread in the air these days. Together with a slogan "Pereat" it can be understood as a manifesto, and it was already honored to receive a comparison with a "sarcastic bomb". It's basically post-punk song, recorded in studio with live drums, though bass probably wouldn't sound really post-punk'ish, as it's too smooth. Anyway we hope to do something less sad next time we'll be heading to the studio.
  
So I gotta say we're proud of what we presented this year. From the one hand, there are no new projects / bands which would join us, there are even no guest artists this year, but I feel our "roast" is strong, mature and ready for new achievements. Hope you'll appreciate the result of our long and hard work.
What would you expect from us later this year? Well, we still hope to have 1 or 2 physical releases (they're on the go) by some of artists represented here. We hope to release a soundtrack by Vladimir Laznev, new Лосины's.. songs, and we also plan to release 3rd longplay by Nervöse Leute.

Probably we'll do something more. I feel like I need to invite new artists to our informal label. Let's see if I'll get lucky.
Instant free download (mp3 VBR) (Right click on "Click on this link — Save object as...").
Stay tuned!
Sincerely yours,
John "Grey Lenses" Grey  

среда, 20 июня 2018 г.

Лосины Маршала Потемкина — Дебютный альбомчик (2010)

Hi everyone! Just before the work on a new Лосины Маршала Потемкина's single is, as far as I'm concerned, crawling to the end, it's time to tell about their very first release.



 While observing its cover, you might have prepared for extraordinary amount of weirdness, and this is indeed the weirdest Лосины...'s release. The history of the band, started in 2009, was frustrating at that moment, as mates began to leave it, and I remained the only member since late summer 2010 and for long, long years.

The "doctrine" of the band in 2009 and first half of 2010 proclaimed we ain't going to record, and we didn't even manage to perform live in a club then, so when I was left alone I felt like I should make this record just to save the impressions from being in a band. Of course, I was very limited in instruments.

The faces who stare at you from the cover were our avatars created in a PhotoRobot software which is, as we believed, was quite close to ones used by the police. The cover was also decorated with excise stamps from alcohol bottles which represented "alcoholic folk" genre we played back then.

I believe this EP is really, really hard to listen to. It's pathologically lo-fi. It's recorded to irritate listener. It's weird, it's atonal, it's noisy and hopelessly out of tune. It represents mostly anger.

The EP includes 4 songs, some of which we still play in 2018: I have to mention sort of "alcoholic folk anthem" "Я не могу сказать где, твои деньги" ("I Can't Tell You Where's Your Money"), re-recorded in 2011 and still quite popular in a post-punk version (set timecode to 36:21); "Мягкие игрушки" ("Soft Toys") — also check out truly magnetic post-punk version (the timecode is 7:17).

It also featured melancholic yet ironical "Шерстяная кофта" ("A Wool Sweater") which we still play in a modified version, and "Заначка" ("A Stash") with weird arpeggios, and it's the only song from the EP we don't play now.

Well, the primary instrument for the EP was a steel-string guitar, sometimes accompanied by harmonics and synths. The EP touched upon topics of alcoholism, fear and poverty. Perhaps it's anti-music but it's definitely not anti-folk; it's real Russian outsider folk music, as it's close to people.

Retracing this way, I find it easy to surprise how far we've gone, how much we've mutated, and before releasing a post-punk single, our 2nd post-punk release, and dreaming of making an abstract hip-hop record and conceptual post-punk album, it's fitting to recall the very beginning. Moreover, I found this EP missing on BandCamp, so this link is possibly the only chance to download it.

I feel sorry that our new stuff, including annual sampler, is still delayed, but it only means we'll have a bunch of new releases at some moment.

Stay tuned,
sincerely yours,
John "Grey Lenses" Grey

пятница, 1 июня 2018 г.

Snowbringer — Brutal Handshaker (2018)

Hi everyone, today I'm gonna tell you about latest release by Snowbringer. It's not a Concern Void release, but it's worth your attention, I assure you.




Brutal Handshaker is sort of the development of ideas of Perfect Handshaker, released previous summer, and, to my mind, is probably best Snowbringer's release so far.

I remember enjoying Perfect Handshaker and thinking about making a remix of it which would sound more brutal, that's why I coined the title "Brutal Handshaker" to Snowbringer. Anyway, my remixes were never finished, and I just wrote lyrics and recorded vocals for a piece from Perfect Handshaker, which was called "Man in the Mirror" and released on a recent Concern Void mini-sampler (bigger annual sampler is still yet to come).

Despite the fact personally I enjoy this record with its solid post-industrial sound full of fascinating soundscapes, one might start to miss "classic" "bright ambient" Snowbringer, so that's much an issue whether its more "brutal" sound is a development, a step ahead, or it's just a spin-off. There are 2 Snowbringers now, actually: ambient one and darker one. Both sound pretty nice, though.

So I recommend you to check out this release. Our new releases will follow this summer!



Sincerely yours,
John "Grey Lenses" Grey


понедельник, 2 апреля 2018 г.

Nervöse Leute — Die Stühle in der Hölle (2018)

Hi everyone, I'm happy to present you a brand new remix by Nervöse Leute! This project was invited to paricipate in an ongoing international remix project "The Fencepost Reclamation Project": I received an invitation from British coordinatiors of the project, and Nervöse Leute created a remix using samples of field recordings provided by coordinators. I guess this remix shows how musique concrete samples can be turned into something entirely different, noisy, (post-)industrial sound. Not long ago I started to think we're lacking real industrial sound here, so it's an attempt to fill the gap.

The title, "Die Stühle in der Hölle" (The Chairs in Hell), is obviously a reference to Einstürzende Neubauten's "Ein Stühl in der Hölle". There are many reasons why it is so. First of all, provided samples included a bunch of recordings where chairs were actually used as sources of sounds. So, many chair samples equals many chairs in the title. Why are they put in hell, you may check out while listening to the track.

Secondly, "Ein Stühl in der Hölle", as we all know, is an interpretation of a folklore ballad "Lord Randall" about a young lord who was poisoned by his beloved one. This evolution illustrates long chain of influences: from folk to 80's industrial, from 80's industrial to 2010's post-industrial / noise. We're the representatives of the same culture, all in all.

Finally, in addition to desire to portray an industrial soundscape, there's actually a strong desire to portray hell. Pictures of sadness and torture fill our daily lives via newsreels, TV, etc., we hardly ever observe anything inspiring.

Well, I'm unwilling to add any other mourning cries here, instead I'd like to announce the 3rd longplay by Nervöse Leute. I'm uncertain whether it's gonna be a physical release or not, it's supposed to be released — probably this summer.


So, stay tuned and check out this remix!



Sincerely yours,
John "Grey Lenses" Grey

воскресенье, 18 марта 2018 г.

Лосины Маршала Потемкина — Тренды (Video)

Hi everyone, I've just recorded a video telling a fascinating story about CD "Тренды" by Лосины Маршала Потемкина, so now you may watch / listen to this post (in case if you wouldn't like to stare at my face):


Stay tuned, and new releases will follow!

Sincerely yours,
John "Grey Lenses" Grey

вторник, 27 февраля 2018 г.

Grey Lenses — Music for The Cub (2018)

Hi everyone, it's time to put out a new release by our label: my latest soundtrack to my latest book.


This release bears proud "CV30" sign which is sort of anniversary for us. A picture for cover was taken by me in Peredelkino in 2016 (like to our previous release).

The record continues the direction I chose on Demotivating Tunes, a soundtrack to my previous book.

The book has pictures of stray cats and dogs on every page, basically pictures serve as background images for text, which makes it hard and painful to read it. It was made on purpose because reading is supposed to be source of your enrichment, and where's no pain, there's no gain, you know.

I know that cats and dogs have kittens and puppies, not actually cubs, but I chose these images to show there's no difference between cats and, for instance, cougars, because they're both predators. "Predator" type in literature has always been one of the most prolific, different writers used it, some liked it, but others blamed it. So when I decided to tell a story of a "little predator", no-one but the stray cat could match it better.

Basically, the story is more about an "accidental family", such typical and traditional topics which I believe I expressed differently. The story is finally published online, and I gotta say people tended to mistunderstood or being caught in traps I set just in every sentence. I don't want to explain what I meant to say, moreover, the story isn't translated, and I feel I'm totally unable to translate myself (though I tried so hard). Maybe some of our readers would like to help me out?

Anyway, I believe this soundtrack deserves your attention. It still has some dark ambient and post-industrial sound, but now the album is shorter, and it offers bigger variety of sonic structures. The structure of the sound is critically important, this is what I'd like to build in my tracks, and I try to build it the same way as I'm 'building' texts, it's construction, not composition.

And I also avoided to use musique concrete techniques, the only instrument here is the synth. Though I believe I'll do some musique concrete records, but probably under Nervöse Leute moniker.

All right, here's the album, and I hope you like it!




Stay tuned, I believe the spring is going to bring you our annual sampler, and probably a new Concern Void Video.

Sincerely yours,
John "Grey Lenses" Grey