Hi everyone, we're presenting our annual VA sampler. This is 10th annual sampler, actually, we faced a milestone.
This time it's titled "Коллиматорный прицел бытия" ("The Collimating Sight of Being"), and it's about a worldview, a viewpoint which can be seen through the scope / or if life itself has you in its scope.
A bit of paranoia, fears and anxiety, panic in this paranoid, fearful, anxious, panic time.
But this compilation isn't about current events, some track were recorded long before the situation. The mood of the compilation partially corresponds to previous one, "Крики раненых и почти что павших" ("The shouts of wounded and almost deceased ones"). But there's also some difference between them, as it's no longer reasonable to shout, as our shouts seemingly can't be heard from here.
That's why the compilation is generally calm, quiet, almost mellow. I can't say it's "bedroom music" because we already released "Music for Homebodies" in 2013 and we're unwilling to repeat ourselves. (I just found out I didn't write a post about it, my bad. Gonna post it in June.)
All in all, it's outsider music. That's where we've been since the very beginning, mostly on purpose. No wonder some artists have left to seek acclaim. No wonder some of youngsters misunderstand it as "another no name stuff". Being a "no name artist" who struggles to be liked and a "no name artist" who can reflect on the aesthetics of outsider music and finds himself in it, are two different mindsets, I must admit. We're free to do music for nobody. We're free in general, and we're too old and too honest to betray this path.
Looking through the tracklist, we see that this time we have 6 tracks by 6 artists of 6 genres.
We begin with a new project of our long time friend. It's called Tulse Luper, and it's a field recording. I wanna believe there'll be a release of this project later this year.
Nervöse Leute contributed a track titled Brain Zaps from its 4th longplay hopefully to be released this summer on tape. Analogue samples, noises, post-industrial as usual.
Snowbringer contributed the longest track on this compilation, "Palimpsest". It's not peculiar Snowbringer sound, and it's good that project hasn't been closed. There was an LP by Snowbringer not long ago, I think I'm gonna post about it later this year.
Our long time friend Владимир Лазнев (Vladimir Laznev) contributed a minimal synth track Дефицит ("Deficit") with speech samples. You might read about deficit in USSR to understand the context. Current events made people be afraid that it can return, but fortunately we were OK (it couldn't get much worse here lol).
Post-rock band Окно Овертона (Overton Window) who you could've listened to back in 2017 contributed an instrumental piece Чуть-чуть (A Little Bit), which melodic structure manages to reflect huge variety of emotions.
Лосины Маршала Потемкина contributed studio remake of 2013 song Кисель which reminds of past and sort of compares it with present.
Cover photo was provided by our favorite photographer Pavel Chainichkov.
Check out the sampler, friends! (mp3)
Stay tuned.
Sincerely yours,
John "Grey Lenses" Grey
